Ramon Monegal - The New Paradise
BACK TO OUR ORIGINS!
Utopia of a new paradise.
Impressionist return to nature.
A multicoloured hymn to optimism.
Well-being.
Harmony between plants and new molecules.
For me the idea of paradise, like the best of nature’s utopia, provokes me into trying to interpret it over and
over again. Combining in perfect harmony the pure pleasure of the senses, flowers, fruits, woods and
roots, like an allegorical nectar of optimism and well-being.
THE PERFUME
Green, floral, chypre
OLFACTORY IMAGE
Natural, optimist, vital, active, romantic, pure, happy
Top: Citrus, fern, fig
Heart: Jasmine, rose, lilly of the valley
Base: Oakmoss, amber, musk
THE RAW MATERIALS
by Ramón Monegal
As a result of having worked with the most extensive palettes of the best raw materials available and provided by the most prestigious international suppliers, Ramon has a background and experience that allow him to combine the most advanced processing techniques with some of the most ancient and classical, as the true infusions that take years or the macerations of different components, obtaining truly unique and hard to replicate fragrances.
Moreover, along with the best raw materials available, he has an extensive range of natural extracts, bases and molecules of his exclusive property, fractions of iris on cedar, a vetiver root from Haiti, an amazing Russian leather base, a unique cocktail of musks, among many others.
The inkwell
Inspiration, quality and features.
The main source of inspiration for Ramón Monegal, apart from nature, is literature —from the wealth of prose to the succinctness of poetry. He turns words into notes, phrases into chords, stories into compositions, and the ink, the ethyl-lyrical component and of all events, into imagined perfume.
In tribute to his source of inspiration and making use of the most luxurious materials, the perfumer has designed an inkwell, lovingly referred to as Mon encrier, as an iconic perfume recipient, an object of desire, a single bottle that houses all of the soul and essence of his work.
Sticking to his principles that involved using the best materials, he chose semiautomatic handmade glass that allowed him to produce a flacon with a unique body, feel and presence; bakelite —a formaldehyde resin that was widely used in perfumery in the mid-twentieth century and he wanted to recover for its valuable characteristics of feel, sound and neutrality— for the lid and the presentation box; and, finally, bonding together glass and bakelite, a crimp made of zamak, an alloy that combines zinc, aluminium, magnesium and copper, and gives the flacon an unmistakably rich feel and sound.
